The second update post about my (currently) favorite Japanese singer. The singer-songwriter/girl with an acoustic guitar shtick isn’t anything groundbreaking, as there are many artists like that in Japan (and in the Western side of things Joni Mitchell or Emmylou Harris have been doing that decades ago). Yet, while listening to Ayano Kaneko I get the feeling she’s a real talent, there’s something special about her music. Her releases continue to bring a smile on my face and the songs make me tap my feet, and that’s what counts, right? A week and a half ago 祝祭 (Shukusai – Festival) came out, which is Kaneko’s second full-length album, following 恋する惑星 (Koisuru Wakusei – Love Planet) from 2015. Continue reading →
BABYMETAL managed to combine idol culture with metal. Halcali or Rhymeberry mix it with hip-hop. Seiko Omoori, just like the legendary Jun Togawa back in the day goes for the anti-idol gimmick. My newest jam, Dance for Philosophy, is a cool 4-piece Japanese girl group, which puts their own, refreshing and bouncy spin on the genre. Continue reading →
I’m gonna keep mention this ’til I’m blue in the face – I simply cannot get over Wonder Girls’ disbandment. Yenny, Sunmi, Yubin and Hyerim turning into pop/rock/reggae band with idol elements was a perfectly executed idea, and Reboot album in particular got me super-hyped and hungry for more. Unfortunately, the girls could not win with the vicious kpop industry. As they had been around for quite some time, newer, younger idol groups became much more popular, and this led to the obvious conclusion – only the bands which bring in the most $$$ get to stay and do stuff (WG’s contracts were expiring and the re-negotiations brouhaha was bound to end in flames).
Yenny and Sunmi parted ways with JYP, and as it turned out, fortunately they’re good without him. Continue reading →
Lovely Summer Chan’s LSC was the perfect out of the blue album that rocked my world last year. The perfect blend of the kawaii, distorted guitars, mellow, adorable voice and pop/rock/electronic/you-name-it sound hit that perfect spot on my music palate. Since then, I’ve been eagerly anticipating more stuff from her, and on August 2 this year, Lovely Summer Chan has finally released some new music – an E.P. entitled Ningen no Tochi (人間の土地 – ‘Human Land’). And once again each song appears to be entirely different than the other ones.
Ningen no Tochi consists 4 tracks and all of them represent different music genres and styles – which is a lot like LSC – the diversity of that record is something that continues to amaze me. Continue reading →
I wrote about Lovely Summer Chan. I wrote about Kamin Shirahata. Now it’s time for Ayano Kaneko. And firstly I must say, it’s fucking amazing we’re living in times when I can find out about all these talented artists from the all over the world, even if they aren’t worldwide famous, promoted and mass-sold to us through all the means available. It’s actually possible to learn about this young girl singer who plays the guitar in Japan, and despite the fact that I don’t understand much, I know enough to decide whether someone rocks or not. Continue reading →
Haim’s Days Are Gone was an album that took me by surprise – it turned out there’s a contemporary band which sounds like my beloved Fleetwood Mac. By incorporating some fresh twists and quirks here and there, the group could entertain the today’s generation listener as well. After long-ass 4 years of waiting, the girls finally came back in June with a new record, entitled Something to Tell You. Continue reading →
More and more kpop groups which I’ve been fond of retired lately – Wonder Girls (still can’t get over this one), 4Minute, SISTAR or 2NE1. The giants like Girls’ Generation or BIG BANG may still be around, but I don’t think they’ll stay around very much longer. The entertainment industry is a very vicious place, and new bands pop off straight away to fill the void left by their sunbaes.
In less than two years, Twice has become one of the main forces of the Korean pop. Starting with Like Ooh Ahh, through ubiquitous Cheer Up, TT and Knock Knock, the girlband continues to make a hit after hit, enjoys commercial success and observes great view numbers on Youtube. Twice quickly cemented their position at the forefront of the kpop phenomenon, and now the girls are back with the new single, Signal. So, does it live up to the hype? Continue reading →
My top 5 Scotland-related things are: Frankie Boyle, Nazareth, Trainspotting, the accent, and most recently, Honeyblood. The band initially came up on my radar when I heard their first self-titled album, and I immediately fell in love. Thankfully, I didn’t have to wait very long for the follow-up record. The rocking duo composed of Stina Tweeddale and Cat Myers returned with a Babes Never Die CD in November last year (I took my sweet time writing this).. Continue reading →
I bought a few new Japanese CDs recently – 2 of which happen to be created by fairly underground bands which managed to immediately win me over, while the third is a single that comes from an artist who’s currently extremely hyped in Japanese alternative scene. It’s another attempt at understanding the phenomenon behind the success of this peculiar singer. The popular doesn’t mean good, and the obscure doesn’t mean worse than the mainstream.