When I hear the term ‘Japanese idol pop‘, two names that first come to mind are Momoe Yamaguchi and Akina Nakamori. That’s my opinion though, as both were quite different artistically than most of their peers – Yamaguchi and Nakamori stood as sort of femme-fatale figures, capable of powerful delivery, whose music was often dark and/or provocative. They were certainly huge back in the day, but even then, the bubbly sugar pop dominated the scene, and it continues to do so to this day. I’m definitely not trying to make it sound as if it was a bad thing – the 80s produced a great deal of amazing idol-singers, and there are some newer artists I’m also fond of.
Music-wise I particularly love the 80s, and my previous great discovery from that time was Yukiko Okada – her catchy music and the tragic story gripped my heart. My most recent unearthed 80s gem is Yuki Saito. I did hear about her before, but only in the context of the timeless 80s anime Maison Ikkoku and the superb song used for that show – 悲しみよこんにちは (Kanashimi yo Konnichi wa – ‘Hello Sadness’). It was composed by Tamaki Koji of 安全地帯 (Anzen Chitai) fame.
However, I soon found out, that there’s much more to her career than an anime opening theme. Continue reading →